暂无英文版的简介，请添加内容帮助我们完善数据库。

Lithuania, 1968. After serving in the Soviet Army, Lukas comes back from Prague to his friends: Andrius, a state prosecutor's son, Julius, an unsuccessful artist, and Beatrice, who is attractive to all of her friends in her purity.

It is history of the difficult and at the same time amusing relations which arose between the man and three women. The hero - the successful young man possessing rare male charm and, respectively, ability to be pleasant to all women without exception, irrespective of their age and situation in society. The heroine - the girl of 26 years who steeped in work, disappointed in love lives according to the habitual scheme "house-work-house" day by day and doesn't dream of female happiness any more. It would seem, between them "the love with the happy end" has to flash, but - it meets her younger sister and her mother, still real beauty. Undoubtedly, with time and they appear in the power of charm of the main character. So to whom from three women at it the real feelings?

When Morten makes fun of a female listener on his jazz radio show, she shows up at the radio station and refuses to leave until he apologizes. Together, they embark on a jazzy road trip through the streets of Copenhagen, while an unexpected friendship takes shape.

暂无英文版的简介，请添加内容帮助我们完善数据库。

"Jazz Seen" is an exploration of the life of William Claxton, whose photographs turned the world of jazz on its keen and perceptive ear. Various jazz artists, photographers, and actors recount memories they had with Claxton and explore his work, while parts of his life are re-enacted by actors.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

A bumbling gang of thieves crash a jazz party.

A recreation of 1934 Kansas City jazz jam session created by Robert Altman.

Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.